I couldn’t be more excited and honored to be one of the featured photographers in the second volume of the wonderful new Townies Mag publication alongside so many other talented photographers.
This is the magazine’s first color issue and it focuses on photographers with a connection to the New England area. The selected photos from my work (a few are above) amount to a sort of retrospective, starting with a photo from Haiti in 2005 and then including work from every couple years of my career including photos from the US, Russia, and China. And it includes work from assignments, personal projects, and just wandering around with a camera….it’s a pretty good selection to show if I wanted to try to explain the long-term visual philosophy behind my work.
Two of my photos have been CHOSEN for inclusion in American Photography 42. It’s always an honor to have work recognized, and this is now my 11th year in American Photography. My work has previously been recognized by the organization in American Photography 41, 39, 38, 37, 36, 35, 34, 33, 32, and 30. The photos chosen are of Pacific Northwest Ballet company soloist Amanda Morgan during rehearsals of the new production of The Sleeping Beauty for a story for Cascade PBS (self-assigned while I served as photo editor), and of mustang trainer Loriann Warner bringing coffee to her niece sleeping in a horse trailer early in the morning for a story for High Country News assigned by photo editor Bear Guerra.
The jury, who selected 368 images to represent the best pictures of 2025, included Sally Berman, Run Red Creative; Claire Caple, National Geographic;Chris Dougherty, Creative Consultant; Amelia Holowaty Krales, The Verge; Daisy Korpics, The Wall Street Journal; Virginia Lozano, NPR; Mark Murrmann, Mother Jones; Evan Ortiz, Airbnb; Emmalee Reed, CNN, Cate Sturgess, Vanity Fair; Amanda Webster, The New York Times; and Cassidy Zobl, Road & Track.
And thanks, as always, to Mark Heflin for making American Photography run!
I now have my Part 107 Remote Pilot certificate from the FAA allowing me to use a drone on assignment. I also have drone liability insurance and can provide a COI on request.
It’s been more fun than I expected to fly this thing and get a different perspective. Looking forward to flying more as the Pacific Northwest weather dries out in the coming months.
My recently-published story on Alzheimer’s research for the New York Times was the subject of a segment on PBS News Weekend on the Nov. 15, 2025 broadcast. The segment featured a number of my photos and videos alongside an interview with writer Pam Belluck. I’m not 100% certain, but I think this is the first time my photos have been featured on the PBS News broadcast. I’ve been a long-time viewer of the program, so this is especially exciting for me!
I spent the last six months working as Associate Photo Editor (temporary) at CascadePBS, formerly known as Crosscut, handling day-to-day photo editing and shooting duties. I’m a long-term freelancer, but when Genna Martin asked me if I’d be interested in filling her role while she was out on parental leave, I jumped at the chance. I’ve heard from others over the years that working as a photo editor strengthens one’s work as a photographer, and I was very excited to get a little insight into how photo editors work with the rest of a publication.
I hadn’t been in a newsroom with any regularity since my newspaper internships years ago, so it was such a great experience to be in a newsroom (sometimes in person, sometimes virtually) planning the next day’s, week’s, and month’s coverage; developing a plan for visuals alongside the news, investigative, podcast, and broadcast teams; assigning and supporting freelancers when the need arose; and figuring out how my own photos could fit in with the rest of the newsroom’s work. One particular highlight, which required a lot of logistical legwork, was producing still photo shoots for the fifth and final year of Black Arts Legacies. I also found particular interest and enjoyment in working on some very local stories, which is something I don’t get to as often with the national publications I usually work with. Here are a few things I worked on while at Cascade PBS, some of which started as my own pitches.
It was such a wonderful opportunity, but I am glad to be going back to freelance assignment work now that my term is done.
One of my photos, of balloons on the stage at the end of the 2024 Republican National Convention, has been SELECTED for inclusion in the American Photography 41 book. It’s always an honor to have work recognized in the book, and this is my tenth year in the book. I’ve been lucky to be awarded by American Photography for the past 9 years (My work has previously been recognized by the organization in American Photography 39, 38, 37, 36, 35, 34, 33, 32, and 30.)
The jury, who selected 443 images to represent the best pictures of 2022, included Skye Battles, Photo Editor, WIRED; Maria Dubon, Deputy Art Director, Harper’s; Maria G. Keehan, Art Director, Smithsonian Magazine; Kyra Kennedy, Senior Photo Editor, Outside; Dana Kien, Director of Photography, WSJ Magazine; Patrik Nyman, Creative Director, Ny-Studio; Pia Peterson, Photo Director, Lonely Planet; Stacey Pittman, Senior Photo Editor, The New Yorker; Krista Prestek, Creative Director | Product, Design, and Marketing, Apple; Shannon Simon, Senior Photo Editor, The New York Times Magazine.