Two photos CHOSEN in American Photography 42


Soloist Amanda Morgan (black dress)  performs with Pacific Northwest Ballet company and student dancers as they rehearse Act 1 of their upcoming production of "The Sleeping Beauty" in Seattle, Washington, USA, on Wed., Jan. 22, 2025. The production uses a modern interpretation of Marius Petipa's original 19th-century choreography.
Loriann Warner, of Eatonville, Wash., brings coffee to niece Kiyra Marjamaa-Warner, who was sleeping in Warner's horse trailer with her son Warren Threadgill (foreground) and daughter Julianne Threadgill, before the Mustang Yearlings Washington Youth (MYWY) Mustang Madness competition in Enumclaw, Washington, USA, on Sat., Aug. 3, 2024. They sleep in their horse trailer to save money during the competition.

Two of my photos have been CHOSEN for inclusion in American Photography 42. It’s always an honor to have work recognized, and this is now my 11th year in American Photography. My work has previously been recognized by the organization in American Photography 41, 39, 38, 37, 3635343332, and 30.  The photos chosen are of Pacific Northwest Ballet company soloist Amanda Morgan during rehearsals of the new production of The Sleeping Beauty for a story for Cascade PBS (self-assigned while I served as photo editor), and of mustang trainer Loriann Warner bringing coffee to her niece sleeping in a horse trailer early in the morning for a story for High Country News assigned by photo editor Bear Guerra.

The jury, who selected 368 images to represent the best pictures of 2025, included Sally BermanRun Red CreativeClaire CapleNational Geographic; Chris DoughertyCreative ConsultantAmelia Holowaty KralesThe VergeDaisy KorpicsThe Wall Street JournalVirginia LozanoNPRMark MurrmannMother JonesEvan OrtizAirbnbEmmalee ReedCNNCate SturgessVanity FairAmanda WebsterThe New York Times; and Cassidy ZoblRoad & Track.

And thanks, as always, to Mark Heflin for making American Photography run!

Now Part 107 Remote Pilot certified for drone photography


A seagull flies over the Snohomish River in Everett, Washington, USA, on Tue., Jan. 27, 2026.

I now have my Part 107 Remote Pilot certificate from the FAA allowing me to use a drone on assignment. I also have drone liability insurance and can provide a COI on request. 

Here’s my drone photography and video portfolio. 

It’s been more fun than I expected to fly this thing and get a different perspective. Looking forward to flying more as the Pacific Northwest weather dries out in the coming months. 

Alzheimer’s photos featured on PBS News Weekend


Play Video

My recently-published story on Alzheimer’s research for the New York Times was the subject of a segment on PBS News Weekend on the Nov. 15, 2025 broadcast. The segment featured a number of my photos and videos alongside an interview with writer Pam Belluck. I’m not 100% certain, but I think this is the first time my photos have been featured on the PBS News broadcast. I’ve been a long-time viewer of the program, so this is especially exciting for me! 

Here’s a link to the piece on the PBS website

Worked as Associate Photo Editor (temporary) at CascadePBS: Nov 2024 to May 2025


I spent the last six months working as Associate Photo Editor (temporary) at CascadePBS, formerly known as Crosscut, handling day-to-day photo editing and shooting duties. I’m a long-term freelancer, but when Genna Martin asked me if I’d be interested in filling her role while she was out on parental leave, I jumped at the chance. I’ve heard from others over the years that working as a photo editor strengthens one’s work as a photographer, and I was very excited to get a little insight into how photo editors work with the rest of a publication.

I hadn’t been in a newsroom with any regularity since my newspaper internships years ago, so it was such a great experience to be in a newsroom (sometimes in person, sometimes virtually) planning the next day’s, week’s, and month’s coverage; developing a plan for visuals alongside the news, investigative, podcast, and broadcast teams; assigning and supporting freelancers when the need arose; and figuring out how my own photos could fit in with the rest of the newsroom’s work. One particular highlight, which required a lot of logistical legwork, was producing still photo shoots for the fifth and final year of Black Arts Legacies. I also found particular interest and enjoyment in working on some very local stories, which is something I don’t get to as often with the national publications I usually work with. Here are a few things I worked on while at Cascade PBS, some of which started as my own pitches.

It was such a wonderful opportunity, but I am glad to be going back to freelance assignment work now that my term is done.

Image SELECTED for American Photography 41 book


Balloons on the stage after the balloon drop at the end of the night after former president Donald Trump formally accepted his nomination as the Republican party candidate at the 2024 Republican National Convention in Milwaukee, Wisconsin, USA, on Thu., July 18, 2024.

One of my photos, of balloons on the stage at the end of the 2024 Republican National Convention, has been SELECTED for inclusion in the American Photography 41 book. It’s always an honor to have work recognized in the book, and this is my tenth year in the book. I’ve been lucky to be awarded by American Photography for the past 9 years (My work has previously been recognized by the organization in American Photography 39, 38, 37, 3635343332, and 30.)

The jury, who selected 443 images to represent the best pictures of 2022, included Skye Battles, Photo Editor, WIRED; Maria Dubon, Deputy Art Director, Harper’s; Maria G. Keehan, Art Director, Smithsonian Magazine; Kyra Kennedy, Senior Photo Editor, Outside; Dana Kien, Director of Photography, WSJ Magazine; Patrik Nyman, Creative Director, Ny-Studio; Pia Peterson, Photo Director, Lonely Planet; Stacey Pittman, Senior Photo Editor, The New Yorker; Krista Prestek, Creative Director | Product, Design, and Marketing, Apple; Shannon Simon, Senior Photo Editor, The New York Times Magazine.

Photographed by Bruce Gilden at the 2024 Republican National Convention!!!


screenshot from Vanity Fair (19 July 2024) – Scenes From Donald Trump’s Republican Revival – photos by Bruce Gilden / Magnum Photos

In a very unexpected turn of events, I’ve ended up in Vanity Fair, photographed by the legendary Magnum photographer Bruce Gilden for a portfolio of coverage of the 2024 Republican National Convention in Milwaukee, Wisconsin. It was one of the absolute highlights of covering the RNC for me. This was the last night of the convention and the biggest speeches were about to start. I didn’t get dinner that night but had a couple of snack bars in my battery pouch, so I ate a little while waiting for Hulk Hogan to take the stage when Gilden, whom I’d seen around throughout the week, glided in front of me and the woman on the right and quickly took a picture. And then he was gone.

After his flash popped, she turned to me and said, “That was weird.” She didn’t know what had just happened, but I did. I said, “That was one of the most famous living photographers. I hope I’m in the picture!” After spending a week working with my own flash (and working on my piece on the balloon drop), it was fun to get a little taste of my own medicine. I always love watching other photographers work, and to get such a personal experience of how one of the legends of the field does his thing, and then to improbably end up in the final edit, was a just a perfect gift at the end of an arduous week.

And just for good measure, here below is my photo of Gilden taking the lead image of the Vanity Fair portfolio, a scene I just happened upon earlier in the week.

Now I can add “as seen in Vanity Fair” to my bio…

Magnum photographer Bruce Gilden (center, with hat and vest) photographs attendees praying outside the arena on Day 4 of the 2024 Republican National Convention in Milwaukee, Wisconsin, USA, on Thu., July 18, 2024.

Magnum photographer Bruce Gilden at work on assignment for Vanity Fair at the 2024 Republican National Convention – photo by M. Scott Brauer