My recently-published story on Alzheimer’s research for the New York Times was the subject of a segment on PBS News Weekend on the Nov. 15, 2025 broadcast. The segment featured a number of my photos and videos alongside an interview with writer Pam Belluck. I’m not 100% certain, but I think this is the first time my photos have been featured on the PBS News broadcast. I’ve been a long-time viewer of the program, so this is especially exciting for me!
I spent the last six months working as Associate Photo Editor (temporary) at CascadePBS, formerly known as Crosscut, handling day-to-day photo editing and shooting duties. I’m a long-term freelancer, but when Genna Martin asked me if I’d be interested in filling her role while she was out on parental leave, I jumped at the chance. I’ve heard from others over the years that working as a photo editor strengthens one’s work as a photographer, and I was very excited to get a little insight into how photo editors work with the rest of a publication.
I hadn’t been in a newsroom with any regularity since my newspaper internships years ago, so it was such a great experience to be in a newsroom (sometimes in person, sometimes virtually) planning the next day’s, week’s, and month’s coverage; developing a plan for visuals alongside the news, investigative, podcast, and broadcast teams; assigning and supporting freelancers when the need arose; and figuring out how my own photos could fit in with the rest of the newsroom’s work. One particular highlight, which required a lot of logistical legwork, was producing still photo shoots for the fifth and final year of Black Arts Legacies. I also found particular interest and enjoyment in working on some very local stories, which is something I don’t get to as often with the national publications I usually work with. Here are a few things I worked on while at Cascade PBS, some of which started as my own pitches.
It was such a wonderful opportunity, but I am glad to be going back to freelance assignment work now that my term is done.
One of my photos, of balloons on the stage at the end of the 2024 Republican National Convention, has been SELECTED for inclusion in the American Photography 41 book. It’s always an honor to have work recognized in the book, and this is my tenth year in the book. I’ve been lucky to be awarded by American Photography for the past 9 years (My work has previously been recognized by the organization in American Photography 39, 38, 37, 36, 35, 34, 33, 32, and 30.)
The jury, who selected 443 images to represent the best pictures of 2022, included Skye Battles, Photo Editor, WIRED; Maria Dubon, Deputy Art Director, Harper’s; Maria G. Keehan, Art Director, Smithsonian Magazine; Kyra Kennedy, Senior Photo Editor, Outside; Dana Kien, Director of Photography, WSJ Magazine; Patrik Nyman, Creative Director, Ny-Studio; Pia Peterson, Photo Director, Lonely Planet; Stacey Pittman, Senior Photo Editor, The New Yorker; Krista Prestek, Creative Director | Product, Design, and Marketing, Apple; Shannon Simon, Senior Photo Editor, The New York Times Magazine.
In a very unexpected turn of events, I’ve ended up in Vanity Fair, photographed by the legendary Magnum photographer Bruce Gilden for a portfolio of coverage of the 2024 Republican National Convention in Milwaukee, Wisconsin. It was one of the absolute highlights of covering the RNC for me. This was the last night of the convention and the biggest speeches were about to start. I didn’t get dinner that night but had a couple of snack bars in my battery pouch, so I ate a little while waiting for Hulk Hogan to take the stage when Gilden, whom I’d seen around throughout the week, glided in front of me and the woman on the right and quickly took a picture. And then he was gone.
After his flash popped, she turned to me and said, “That was weird.” She didn’t know what had just happened, but I did. I said, “That was one of the most famous living photographers. I hope I’m in the picture!” After spending a week working with my own flash (and working on my piece on the balloon drop), it was fun to get a little taste of my own medicine. I always love watching other photographers work, and to get such a personal experience of how one of the legends of the field does his thing, and then to improbably end up in the final edit, was a just a perfect gift at the end of an arduous week.
And just for good measure, here below is my photo of Gilden taking the lead image of the Vanity Fair portfolio, a scene I just happened upon earlier in the week.
Now I can add “as seen in Vanity Fair” to my bio…
Magnum photographer Bruce Gilden at work on assignment for Vanity Fair at the 2024 Republican National Convention – photo by M. Scott Brauer
I’ve added a new story to my website, and it’s a subject I’ve been trying to cover for nearly 8 years! And for the first time, I’ve used a little video and animated gifs.
For Bloomberg Businessweek, I photographed how exactly 100,000 balloons are dropped on the final night of American political conventions.
The balloon drops at almost every Republican National Convention and Democratic National Convention in the last four decades have been the work of Treb Heining, a man who has a claim to creating the entire balloon decorating industry.
Treb led a crew of balloon professionals and local volunteers as they inflated and tied, by hand over the course of three days, approximately 100,000 balloons to be mounted in the ceiling and dropped on the final night of the 2024 Republican National Convention in Milwaukee.
Big thanks to Jane Yeomans and Aeriel Brown for taking my pitch (twice!) and helping make this project a reality.
Two of my photos from a story about the use of federal pandemic relief money being used at the Emerald Downs horserace track in Auburn, WA, were included in Crosscut’s 2023 Photos of the Year. You can see other photos from the assignment here. Thanks to Genna for the original assignment and for including me among all the other great work last year at Crosscut!
The best De Los photos of 2023
One of my photos, of Los Hernandez’s asparagus and pepperjack tamales, was selected for the Los Angeles Times’ Best De Los Photos of 2023. De Los is a special section at the LA Times focusing on the Latino experience in the United States. You can see other photos of the assignment, about food in the Yakima Valley, in the recent work section of my website. Thanks to Rachel, Raul, and the rest of the LAT and De Los photo teams for the assignment and including me in the year-end list!